Wednesday 27 August 2014

What goes wrong when campaigns go right? – The ALS Ice Bucket Challenge


This week, I’m focusing on a success story: The ALS Ice Bucket Challenge. 

 David Beckham takes an ice bath for ALS

As PR practitioners and marketers, what can we learn from it, and what do we discover about the pitfalls of success? In short, what goes wrong when campaigns go right?

This campaign has captured the hearts, minds, involvement and most importantly the pockets of countless people worldwide, with a simple viral stunt-based campaign. You’d probably need to be unconscious for the last month or more not to notice it, and it’s likely that everybody knows someone who has tipped a pail of iced water on their head and posted a video of it on the Internet, for charity.

Without a doubt, it has been an extraordinary success. As the end of August approaches, it is estimated that the campaign has raised in excess of US$88.5m in the USA alone, and much more besides elsewhere. Australians have raised $700,000 since the challenge went viral in July, according to Australia’s Channel 7 News, and on the other side of the world, British participants have raised in the region of £700,000 sterling. The funds continue to rise. 

Glitterati from the worlds of entertainment, sport, fashion, business and even politics have spontaneously got involved and filmed themselves being doused in freezing water. The public has loved seeing the likes of Leonardo Di Caprio, Gwyneth Paltrow, David Beckham, Jose Mourinho, Kate Moss, Mark Zuckerberg, Bill Gates and George W Bush in uncharacteristically undignified videos of themselves getting soaking wet. Even the cast of the new Star Wars movie are getting involved. Just like the general public, they have been carried along on the wave of the Ice Bucket challenge. Celebrity endorsement on this scale would normally cost millions of dollars.

In terms of awareness, according to The New York Times, people shared more than 1.2 million videos on Facebook between June 1 and August 13 and mentioned the phenomenon more than 2.2 million times on Twitter between July 29 and August 17. With this level of public involvement, and donations rocketing, inevitably awareness of ALS has risen enormously. Hats off to The ALS Association. It has done a grand job.

Quite a lot has already been written about why the campaign has been such a success, so I won’t dwell on it, beyond noting that it is simple, fun, easy to participate in, has a strong call to action, and involves personal invitation and interaction, a perfect combination for viral success. Nevertheless success doesn’t come without its challenges, and it’s these that present some other interesting lessons that we can learn from The ALS Association’s campaign.


Firstly, it could be considered a bit unclear what the campaign was saying. From a personal perspective, I had to look up what ALS is, and learned that it stood for Amyotrophic lateral sclerosis. Despite the many videos of wet friends and celebrities I have seen, none of their videos explained that. In fairness, I wouldn’t have looked at all if it weren’t for the campaign, so arguably it did its job. However, it demonstrates what happens when a campaign is so successful that its reach outstrips its original aims.

ALS is the North American name for the neurodegenerative disease, otherwise known as Lou Gehrig’s disease, but in countries like the UK and Australia, it’s known as Motor Neurone disease. The fact that the campaign highlights ALS suggests that it was targeted towards North America. In that territory the message was clearest. In territories where the condition has another name, education about the condition may escape some people’s notice. I assume that this is therefore a case of a domestically targeted campaign that has gone international, more by accident than by design.


What we learn from this is that in this world of globally available information, it is very easy for marketing, advertising and public relations campaigns to cross national boundaries. Crossing these boundaries can often involve crossing cultural and linguistic lines, where knowledge that can be assumed in one territory cannot be assumed in another. Furthermore, what is acceptable in terms of messages and imagery in one territory may be considered culturally unacceptable in others. In my career, I have learned that what is considered fun, eye-catching and attention-grabbing in Western Europe or North America, may be considered risqué or even offensive to audiences in India, or in religious Muslim countries, for example. It’s therefore important to factor in when a campaign might go viral, extend beyond its intended boundaries, and whether it could confuse, upset or alienate different populations.

Secondly, the campaign has been co-opted, often unofficially, by individuals seeking to raise awareness for other issues or charitable causes. In the UK, there have been many cases of people doing the ice bucket challenge for other great causes such as cancer research. In the US, movie star Matt Damon’s widely publicised ice bucket challenge involved him using toilet water, and was an opportunity for him to raise awareness about lack of availability of clean drinking water and sanitation in developing parts of the world. 

Elsewhere, the challenge has got political. Palestinian journalist Ayman al-Aloui has initiated the “rubble bucket challenge”, a variant of the ALS campaign involving pouring buckets of rubble on one’s head. As Al Arabiya news reports, al-Aloui says he is doing this as an act of solidarity with the people of Gaza.

On the one hand, this trend highlights just how effective and powerful the ALS Association campaign has been. On the other, it demonstrates how a hugely popular initiative can be used for messages other than its original aims. Arguably, through no fault of its own, in fact precisely owing to its success, the ALS Association has lost some control of its campaign’s message. Perhaps this is a price you pay for success, but it’s something that is worth considering when campaigns are being dreamed up.

Furthermore, the more popular and visible a campaign becomes, the more obvious a target it becomes for criticism, however well intentioned it is meant to be. Some commentators have complained that the challenge itself has no logical connection to the cause it is publicizing. I think that this criticism is rather sour-faced and lacking a sense of humour. There’s no harm in raising funds and awareness about a serious condition in a fun and light-hearted way.

More serious are the religious objections that have been raised. As The Independent in the UK has reported, leaders of the Catholic Church in America have voiced their objections because the money raised by those taking the challenge could be used for embryonic stem cell research, which the Church considers immoral.

Similarly, campaigners for animal rights have raised their concerns about the possibility that donations may go towards experiments involving animal testing. Leading the celebrity charge for this point of view is Pamela Anderson, and off the back of the ALS Association’s highly visible campaign, this cause / criticism is also enjoying some high profile media coverage.

Once again, the ALS Association is a victim of its own success. Criticism would have been far less forthcoming if its campaign hadn’t enjoyed such widespread coverage and participation. Again, arguably, this kind of thing is an inevitable by-product of success.

Overall, the lesson learned is that the stronger the campaign, the more conscious we must be about ways it could be misconstrued or undermined, as it becomes a bigger target.  Issues management becomes an essential part of even the best and most well-meaning campaigns. It’s no surprise that some of the most successful organizations and brands in the world expend considerable resources on issues management, despite having some of the most successful marketing, advertising and public relations.

Tuesday 19 August 2014

SodaStream and Apple’s iPhone 6: The brand-product relationship


Lately I’ve been thinking a lot about the relationship between brands and their products, and what it means for both.

  • How much does product development lead the building of brands?
  • How much does a brand’s essence and values lead product development?
  • Or, does the power of these influencers change depending on where a brand or product is in its development cycle?

Taking a look at two very different products, SodaStream and Apple’s iPhone, gives us interesting food for thought.

SodaStream

Just last week, I was having a fascinating conversation about SodaStream, which has enjoyed a fantastic recent international revival, including the brand enlisting the endorsement of Hollywood A-lister Scarlett Johansson. 




This is a story of a brand re-born, and its re-birth has been driven, it seems to me, by a strong vision for the brand, great design, some great strategic partnerships and a clarity of values. It seems to be very much a case of a brand’s essence and values leading product development.

I have happy memories of SodaStream, going as far back as 1978, when as a boy, our friendly neighbours would treat me to SodaStream drinks. Even back then, the product had a fun element, yet it offered the carbonated drinks that it was OK to consume, as far as my parents were concerned. I still remember the advertising tagline of the time, “Get busy with the fizzy”, which characterized the fun that the product sought to encapsulate.

At the time, the product itself didn’t quite match the advertising, because it looked considerably more prosaic and a lot less fun. Predominantly white, cream or beige, it was identifiably a domestic product that belonged in the kitchen, beside the fridge, the dishwasher and the washing machine. It’s function led its marketing. Just take a look at a typical advert.



After a while, SodaStream seemed to disappear, but has now been revived in a far livelier form with a more energetic and robust product and brand proposition. Now, the reality matches the proposition, and I believe it has very much been influenced by what the brand stands for, and what it means to consumers. Plus, it is more sensitive to the nuances of consumer demand and lifestyle.

What’s immediately noticeable is the design. SodaStream’s range looks cool. Consequently, it has become a much more desirable item. The design is the primary innovation in an essentially simple product, but it is instrumental in making the brand contemporary and aspirational. SodaStream’s partnerships with Samsung, Breville and Kitchen Aid strengthens its “hardware” portfolio and boosts the product’s positioning as an aspirational item. No longer is a SodaStream machine simply functional, like the ones I enjoyed in the late 1970s. These partnerships ensure that like Nespresso or Alessi products, SodaStream has become a “must-have” gadget. It has adopted the philosophy of Apple, which has made functional devices (computer and communication hardware) beautiful, and is doing the same in its market sector.

Secondly, SodaStream has forged some important brand relationships. There are those mentioned above, but also partnerships with Kraft, Sunny D, Ocean Spray, Campbell’s and SkinnyGirl strengthens the product’s “software” portfolio – the flavours that are on offer to consumers. SodaStream has been strategic by covering varying bases, from typical soft drink flavours like Kraft’s Kool Aid, through the more “adult” mixer flavours such as Campbell’s V8 beverages, to the health drinks market with EBOOST energy drinks and the premium market of the epicurean Cooking Light brand. It’s a much richer, more varied and more versatile offering than previously, which meets the demand and requirements of varied consumer groups. In short, there’s now something for all the family, which makes SodaStream a stronger proposition as a household purchase.

Third, SodaStream now stands for something. What leaps out at you from its corporate website is the company’s values, and what it wants the product to stand for. Briefly, these are environmental consciousness, encouraging consumers to use a product that produces far less waste than the endless mountains of empty bottles and cans generated by its “big drinks” competitors. Also personal empowerment and health, giving consumers more choice and options that are better for you. At a time when a critical spotlight is being shone on sugar content in soft drinks and snack foods, this is an important point of difference. For example, SodaStream proudly talks about the fact that its cola contains 2/3 less sugar than store bought cola.  In many respects, SodaStream has positioned itself as a cool challenger brand to the behemoths of “big drinks”, like PepsiCo and Coca-Cola.

This makes it more than a product. SodaStream has re-established itself as a lifestyle brand, and as such, it now means more to consumers and says something positive about their choice to buy and use the product. A purchase of SodaStream is now arguably more than a purchase of a domestic carbonated drinks machine. It’s also purchasing a statement about you as a consumer, your tastes, aspirations and beliefs.

iPhone 6

Talk is intensifying about the imminent launch of Apple’s iPhone 6, which could take place as soon as early next month (September 2014).



The main rumours about the iPhone’s new variant seem to be that it will run iOS 8, a fresh update of Apple’s operating system, it will come in larger sizes (4.7 and 5.5 inches) and it will have sapphire, scratch-proof glass.

What’s interesting here is that these changes are incremental: evolutionary as opposed to revolutionary. Arguably it’s a world away from the launch of the early iPhones, which were game changers and market makers. They revolutionised the smartphone market, changed the way consumers used their mobile devices and seemed to offer something entirely new.

Since then, the iPhone has been joined by a host of competitors, both in terms of hardware, such as Samsung’s Galaxy S5, LG’s G3, Sony’s Xperia Z2 and HTC’s One M8, and in terms of software, namely Android. These products have closed the gap between Apple and its competitors, and in terms of some considerations, such as size, have stolen the march from Apple.

The wiggle room for product development seems to be diminishing, but Apple has thrived on two essential brand essences: innovation and design, and it needs to maintain its leadership position to remain a distinctive force. The success of the next iteration of iPhone may well depend on these two factors. From the perspective of innovation, iPhone 6 must work faster and more efficiently than its rivals, and from the design perspective, it must outstrip competitors in the way it looks, feels and operates.

When it comes to Apple and the iPhone, therefore, the brand essence and product development seem to be symbiotic, both by necessity and design. What’s always been important for Apple, as I have previously mentioned here, is that it differentiates its products by making them both beautiful and functional at the highest level. It’s a constant challenge, and it remains to be seen how it meets this challenge with the iPhone 6. I guess that time, and sales, will tell.

Tuesday 5 August 2014

Why does Apple want a bigger bite of the social media pie?


This morning (5th August), Marketing Week broke the news that Apple has appointed a social media supremo, Musa Tariq, to lead its digital marketing.

Tariq, previously at Nike and Burberry, is considered to be a pioneer of harnessing social media for brands, and in particular is known in the industry for his development of communities and viral content.

Until now, Apple has been relatively slow to engage fans in this way, and its social media presence has been relatively limited for such a prominent consumer tech brand. So why the change, and how significant is it?

I think that there are two main implications. The first, for Apple Inc and the consumer tech industry. The second, for the marketing industry as a whole.

What does this mean for Apple?

Apple had a rough ride in the first quarter of this financial year, according to analyst Brian Blair of Wedge Partners in The International Business Times. He attributed this to a slowdown in the smartphone market, slow demand for the iPhone 5C and the lack of a marquee new product to launch.

Although Apple’s CEO Tim Cook remains optimistic for 2014, this appointment suggests that the company perhaps feels the need to engage consumers more in order to help bolster its performance. And its chosen means to do this is by turning towards social media and shared content.

What does this mean for marketing?

In marketing terms this is just as significant, arguably more so. It demonstrates just how powerful social media and shared content have become as marketing communications channels.

Furthermore, what this hammers home is something that is already undeniable: content is King. 



Tariq has been widely credited with successful campaigns for Nike and Burberry involving online video teasers and real-time visual tweets. Both forms of communication are eminently shareable, with viral potential. They add value to users’ experience, giving them compelling and fresh content that entertains, informs, excites and inspires.

Add “educates” to that mix and you have the recipe for good content. Consumers, users and followers now demand and indeed expect such content that adds value to their experience. Straightforward advertising and promotional messages are no longer sufficient or satisfactory without it.

This requires a fresh mindset for many brands and companies if they wish to remain at the front of their audiences’ minds. I think it means that companies cannot simply be a factory for their products and services; they must also become factories producing innovative and genuinely interesting content, because that’s what hooks an audience.

  • How far do you agree?
  • Do you think Apple has made a good move with this appointment?
  • What changes do you think are necessary for companies to best benefit from social media and shared content?
  • What steps has your company taken in this direction and how successful have they been?

I ‘d love to hear from you and get your perspective.